Free PDF A History of Western Music (Ninth Edition)
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A History of Western Music (Ninth Edition)
Free PDF A History of Western Music (Ninth Edition)
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About the Author
J. Peter Burkholder is Distinguished Professor of Musicology at Indiana University. He has written and edited four books on Charles Ives, as well as numerous articles on topics spanning from the Middle Ages to the twentieth century for The New Grove Dictionary of Music and Musicians, Journal of the American Musicological Society, Journal of Musicology, Musical Quarterly, 19th-Century Music, Music Theory Spectrum, and other journals. He has served as President, Vice President, and Director-at-Large of the American Musicological Society and on the board of the College Music Society. His writings have received awards from the American Musicological Society, the Society for American Music, and ASCAP.Donald Jay Grout, late professor of music at Cornell University, also wrote a standard history of opera.Claude V. Palisca, late professor of music at Yale University, began his collaboration on A History of Western Music with the Third Edition. Among his many publications are a history of Baroque music and a collection of scholarly essays on Italian Renaissance music.
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Product details
Hardcover: 1200 pages
Publisher: W. W. Norton & Company; Ninth edition (April 15, 2014)
Language: English
ISBN-10: 0393918297
ISBN-13: 978-0393918298
Product Dimensions:
7.5 x 1.8 x 10.3 inches
Shipping Weight: 4.4 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
134 customer reviews
Amazon Best Sellers Rank:
#104,466 in Books (See Top 100 in Books)
I find the 4th edition of the Norton Anthology of Music to be especially useful. I have no qualms about Vol. I, but I would have selected some different works and added others. I think a better choice for an orchestral work by Haydn in sonata form would have been an opening allegro from one of the "London Symphonies" rather than the first movement from the Symphony # 56. I would have replaced the slow movement from the Oxford Symphony with the adagio from the symphony # 102 in B flat. I think the first movement of the Opus 18 #1 in F major would have been a better example of a quartet movement by Beethoven rather than the opening movement from the Opus 131 in c# minor. I was surprised that Brahms is only represented by a selection from the German Requiem. The Vorspiel from Tristan und Isolde by Wagner would have been more valuable to study than a scene from the same opera. I've always considered Don Juan by R. Strauss to be his finest work contrary to what many critics think. It would have made more sense to print it in this volume than the other Don. I believe that Benjamin Britten was one of the outstanding composers of the 20th century and certainly deserves to be represented here, but I never cared for any of his operas unlike everyone else. I would have been delighted to see a movement from his Simple Symphony within these pages, say Playful Pizzicato, rather than a hackneyed aria from the grueling Peter Grimes. Why couldn't a piano piece like Voile by Debussy appear here along with the orchestral excerpt Nuage. I've always thought that Pierott Lunaire by A. Schoenberg was a boring catastrophe. I think that students would get a lot more out of studying a movement from the 5 orchestral pieces instead.P.F. Lesses
I am reviewing the hardcover edition -- This is a truly wonderful book! Although it was designed as a music school text, it is a truly great source for an individual learner who loves music; and Norton (unlike many textbook publishers) has done an excellent job of integrating the supplementary material on the web and making that accessible to anyone who purchases a new book. In the book, the maps and illustrations do a good job of putting the musical content in an appropriate context. I treasure this book and I imagine that you will, too.
An outstanding book to go with a Teaching Company course. Thorough, understandable, easy to read.
A useful book, a good referrence material.
It is a great book about the history of Western music. Recommended.
I used this book when I studied music forty-five years ago. I was not a music major but I learned so much about the source of what has become modern music. How can you fully appreciate the sounds you listen to today if you have no idea of the origin of your music style. While contemporary writers trace trendy music from one music generation to the next; to truly understand why you like what you like you must go back to the origins of the sounds. When I finished the course my favorite period was the Baroque. If you have not listened to J.S. Bach, then you have no idea why you enjoy today's contemporary fads. We owe a debt of thanks to Bach, Beethoven, Mozart, and their predecesors for laying the ground work for today's enjoyment.
Great for music history class.
Theres is so much rich knowledge in this book. I bought this for my Classical music class and it had great insight on the artists in their retrospective era.
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